An astonishingly modern take on the archetypically traditional still life subject of fruit on a shelf, this work is raised to shimmeringly evanescent, poetic life by the quality of the painting. The use of a dark ground, with the silvery neutrals of the setting dragged over the tooth of the canvas, gives atmospheric depth to the resonant abstraction of these simple planes, and a diaphanous sheen to the sculptural lines of the plastic bag. A work which combines the elegant and the painterly with effortless grace.
Stephen Rose was born in Rochford, Essex, in 1960. His career as an artist began when, aged 8, he saw a print of Caravaggio’s Conversion of St Paul. He was trained at the Medway College of Art (1979-80), Cheltenham College of Art (1980-83; BA Hons in Fine Art), the British School in Rome (1982), and the Royal Academy of Art (1983-86; Diploma in Fine Art). In 1992 he was elected Brother of the Art Workers Guild, Bloomsbury, London.
He has won various awards, including the British Institute Award, 1983; the Royal Academy Painting Prize, 1984; the Landseer Scholarship, 1985; the Richard Ford Travelling Scholarship, 1986 (when he studied at the Prado, Madrid); and the Royal Overseas League International Painting Competition Travelling Prize, 1987 (when he visited in northern India). He has exhibited at the ICA, the Mall Galleries, the Royal Academy Summer Exhibition, the Royal Society of Portrait Painters and the National Portrait Gallery (BP Portrait Competition); in 2001 he had his first one-man exhibition at Target, in Munich, Germany.
Publications: How to paint in oils, Winsor & Newton, 2008